North Wilkesboro Speedway is Back, Sort Of

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Prime Time Sports Talk

The last time NASCAR visited North Wilkesboro Speedway was in September of 1996, a race won by Dale Earnhardt Sr. A track that had been a staple in NASCAR dating back to the late 40s was cast aside for expansionist tracks like Texas, New Hampshire, and Las Vegas. The North Carolina short track losing its two NASCAR Cup Series dates has long been a sore spot among fans, and residents of North Wilkesboro. Seeing as they lost both dates as the Cup schedule expanded from 32 to 36 races after that last race, some hard feelings are somewhat warranted. Now over a quarter of a century later, NASCAR, a… Continue reading “North Wilkesboro Speedway is Back, Sort Of”

Proxima Studios de Ryan Kavanaugh anuncia início da produção de Skill House estrelado por Bryce Hall, dirigido e escrito por Josh Stolberg – roteirista de Jigsaw e Espiral – da franquia O Legado de Jogos Mortais

Primeiro filme do gênero a ser “listado” na bolsa de valores de entretenimento, permitindo que os fãs participem e invistam no filme em ESX.io

LOS ANGELES, April 15, 2022 (GLOBE NEWSWIRE) — Com base em uma ideia original de Ryan Kavanaugh, megaprodutor nomeado EGOT (Emmy, Grammy, Oscar e Tony), Skill House é o primeiro de uma franquia cuja produção principal deve ter início em junho de 2022 e sua estreia para o início de 2023. O projeto é financiado e controlado pela Proxima Studios, escrito e dirigido pela lenda do filme de terror Josh Stolberg, corroterista de filmes de terror como o Espiral: O Legado de Jogos Mortais (estrelado por Chris Rock e Samuel L. Jackson),Jigsaw, Piranha 3D, Pacto Secreto, bem como o próximo filme Saw (intitulado provisoriamente Saw X) e estrelado pelo fenômeno de redes sociais Bryce Hall, uma das estrelas de redes sociais mais seguidas do mundo com mais de 50 milhões de seguidores nos seus canais.

Skill House será o primeiro filme a ser “listado” na bolsa de valores de entretenimento (“ESX“), uma plataforma inédita que permite aos usuários investir no filme e negociar dentro ou fora do filme e na alta.

Com a personalidade de redes sociais Bryce Hall, Skill House age como influenciadores de redes sociais com uma visão inabalável da fama e do que as novas celebridades estão dispostas a fazer para alcançá-la. O filme será filmado na Sway House, uma mansão em Bel Air, famosa por muitas das maiores estrelas do Tik Tok. Ele vai aproveitar o cenário dos jovens celebridades que fazem qualquer coisa por um “clique”.

“Trabalhei com algumas das maiores estrelas de Hollywood, incluindo Chris Rock e Sam Jackson, Carrie Fisher e Dwayne Johnson… mas meus filhos estão mais empolgados com este projeto do que qualquer outro que trabalhei”, disse Stolberg. O trabalho com Bryce Hall e Ryan Kavanaugh certamente será o primeiro de um novo gênero de terror. Essas personalidades das redes sociais são a nova Hollywood e estão reinventando o que significa ser uma estrela. Quando um jovem de Maryland, como Bryce, com somente um celular e um foco de luz, pode atrair dezenas de milhões de seguidores no Tik Tok e no Instagram, ele facilita a vida para todos nós. Mas há um lado negro nesse novo cenário do entretenimento, e estou muito feliz em mostrar isso.”

“O filme será um “Hard R” de terror com uma abordagem corajosa do que é necessário para se ter sucesso em um negócio que depende de fãs que “gostem de você “. Stolberg acrescentou: “Não há nada que eu ame mais do que escrever uma cena de morte no corredor do escritório… e já gastamos mais sangue do que pretendíamos usar. Embora esse conceito possa funcionar como paródia, vou adotar uma abordagem mais séria e usar mais sustos e horror do que o humor. Eu vou dar o meu melhor. Recebi luz verde para ir em frente. E estou mais do que pronto!”

Kavanaugh, o 24º produtor de maior bilheteria de todos os tempos, produziu e/ou financiou mais de 200 filmes como Velozes e Furiosos 3,4,5,6, A Rede Social, 300, Mamma Mia!, Sem Limites, Fighter, Zumbilândia e muitos mais. Kavanaugh também já foi dono da Rogue Pictures, que lançou mais de 60 filmes de terror, incluindo Os Estranhos, Alma Perdida e A Sétima Alma.

“Este filme quebra as fronteiras entre o fenômeno das redes sociais curtas e o conteúdo de longa duração”, disse Kavanaugh. “Bryce é um dos influenciadores mais reconhecidos e polarizadores com mais de 50 milhões de seguidores e certamente será uma estrela crossover. O filme se aprofunda na psiquê humana e na sede de estrelato da nova geração, questionando até onde eles irão? Ele será sangrento, sombrio e, certamente, muito comentado.”

Daniel Herther, que supervisiona a produção e o desenvolvimento criativo da Proxima Studios, será o produtor executivo. Antes de entrar para a Proxima Studios, Herther produziu o thriller de Nic Cage Desejo Inconcebível e ocupou cargos executivos na Relativity Media e no Hollywood Gang da WB (300).

Esta será a primeira vez que os fãs poderão realmente investir em um longa-metragem e participar do lado positivo do filme via ESX.

Bryce Hall é representado por Brad Baskin da Panther Management e Ryan Kavanaugh e Proxima Studios são representados por Neil Sacker.

Sobre Proxima e Ryan Kavanaugh

Fundador da Proxima Media, cofundador da Triller, Ryan Kavanaugh é um dos executivos mais bem-sucedidos, prolíficos e honrados da história da indústria do entretenimento. Usando um modelo financeiro inteligente de finanças cinematográficas, ele foi apelidado de criador do “Bola de dinheiro dos filmes”. Ele produziu, distribuiu e/ou estruturou financiamentos para mais de 200 filmes, gerando mais de US $ 20 bilhões em receitas de bilheteria e tem 60 indicações ao Oscar. Ele é o 25º produtor cinematográfico de maior bilheteria de todos os tempos. Suas produções incluem Velozes e Furiosos 3-6, 300, A Rede Social, Sem Limites, Fighter, Ricky Bobby; A Toda Velocidade, Quase Irmãos, e Mamma Mia! Kavanaugh e Proxima Studios foram pioneiros em uma transação financeira inovadora para a Marvel pós-falência, criando o estúdio e a estrutura financeira que levaram a Marvel Cinematic Universe. Ele criou a categoria SVOD (streaming) com a Netflix, que aumentou a capitalização de mercado da empresa de US $ 2 para US $ 10 bilhões. Kavanaugh é o cofundador da Triller, um dos três aplicativos de rede social de crescimento mais rápido. Recentemente ele liderou a aquisição, fusão e relançamento do aplicativo de redes sociais e música.

Ele também criou a poderosa empresa de televisão, agora conhecida como Critical Content, produzindo programas de sucesso como Catfish na MTV e Limitless na CBS, que ele vendeu por US $ 200 milhões. A empresa tinha 40 séries de televisão em 19 redes antes de ser vendida. Kavanaugh teve várias conquistas e ganhou muitos prêmios: Prêmio de Produtor do Ano da Variety, Prêmio de Liderança do The Hollywood Reporter, Pessoas Mais Influentes com Menos de 40 Anos no Mundo dos Negócios da Fortune, Fortune 400 da Forbes, Produtor de Bilhão de Dólares da Daily Variety, e 100 Pessoas Mais Influentes do Mundo da Vanity Fair.

Sobre a Bolsa de Valores do Entretenimento (“ESX”)

A Bolsa de Valores do Entretenimento (Entertainment Stock X – ESX), uma plataforma inédita que permite aos usuários e fãs investirem em projetos de cinema e entretenimento por meio da Lei de Empregos, é uma plataforma inovadora para o financiamento do entretenimento. A empresa atende às necessidades de financiamento novo e mais eficiente para os cineastas. O ESX permite que os cineastas criem um valioso relacionamento de marketing diretamente com os fãs e permite que os fãs invistam em filmes pela primeira vez. Para mais informação, visite ESX.io

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Contato com a Mídia

Michelle Vieyra
Jive PR + Digital
202-415-7714
michelle@jiveprdigital.com

Proxima Studios de Ryan Kavanaugh annonce le début de la production de Skill House avec Bryce Hall, réalisé et écrit par Josh Stolberg – auteur de Jigsaw et Spiral – de la franchise Saw

Premier film du genre à être « coté » à la bourse du divertissement permettant aux fans de participer et d’investir dans le film via ESX.io

LOS ANGELES, 15 avr. 2022 (GLOBE NEWSWIRE) — Basé sur une idée originale de Ryan Kavanaugh, nominé par le mégaproducteur EGOT (Emmy, Grammy, Oscar et Tony), Skill House est le premier d’une franchise et dont la production principale devrait commencer en juin 2022 avec une date de sortie prévue début 2023. Il est financé et contrôlé par Proxima Studios, écrit et dirigé par la légende du film d’horreur Josh Stolberg, co-scénariste de films d’horreur tels que Spiral: From the Book of Saw (avec Chris Rock et Samuel L. Jackson), Jigsaw, Piranha 3D, Sorority Row, ainsi que le prochain film Saw  (sous le titre provisoire de Saw X) et le phénomène des réseaux sociaux Bryce Hall, l’une des stars des réseaux sociaux les plus suivies au monde avec plus de 50 millions de followers sur ses réseaux.

Skills House sera le premier film à être « coté » à la bourse du divertissement (« ESX »), une plateforme unique en son genre permettant aux utilisateurs d’investir dans le film et d’effectuer des opérations en bourse sur le film et ses recettes.

Avec une personnalité des réseaux sociaux comme Bryce Hall, Skill House fait un pied de nez aux influenceurs des réseaux sociaux et constituera une vision inébranlable de la renommée et de ce que les nouvelles célébrités sont prêtes à faire pour l’atteindre. Il sera tourné dans la Sway House, un manoir à Bel Air, rendu célèbre par de nombreuses plus grandes stars de Tik Tok. Il mettra au piloris le paysage des jeunes célébrités qui font tout ce qui est en leur pouvoir pour un « clic ».

« J’ai collaboré avec certaines des plus grandes stars d’Hollywood, y compris Chris Rock et Sam Jackson, Carrie Fisher et Dwayne Johnson… mais mes enfants sont plus enthousiastes à l’égard de ce projet que n’importe quel autre projet sur lequel j’ai travaillé », a commenté M. Stolberg. « Aux côtés de Bryce Hall et Ryan Kavanaugh, il s’agit certainement d’une première d’un genre nouveau du film d’horreur. Ces personnalités des réseaux sociaux sont le nouveau Hollywood, et elles réinventent ce que signifie être une star. Quand un jeune enfant du Maryland, comme Bryce, avec rien d’autre qu’un téléphone portable et une sonnerie lumineuse, peut attirer des dizaines de millions de followers sur Tik Tok et Instagram, cela veut bien dire que la notoriété est accessible à tout le monde. Mais il y a un côté sombre dans ce nouveau paysage du divertissement, et je suis ravi de dépasser cet obstacle. »

« Le film sera un film d’horreur “hard R” et aura une approche concrète de ce qu’il faut pour réussir dans une entreprise qui repose sur des fans qui “vous aiment”. » M. Stolberg a ajouté : « Il n’y a rien que j’adore plus que d’écrire une scène de meurtre où le sang coule à flot… et nous sommes déjà en train de dépasser le budget avec la quantité de sang que nous allons utiliser. Même si ce concept peut ressembler à de la parodie, j’adopterai une approche plus sérieuse et je me pencherai sur les peurs et l’horreur plutôt que sur l’humour. Je n’y suis pas allé de main morte. On m’a donné le feu vert pour y aller. Et j’ai trop hâte ! »

M. Kavanaugh, le 24e producteur le plus important de tous les temps, a produit et ou financé plus de 200 films tels que Fast and Furious 3,4,5,6, Social Network, 300, Mamma Mia!, Limitless, Fighter, Zombieland et bien d’autres encore. M. Kavanaugh possédait auparavant Rogue Pictures, qui a sorti plus de 60 films d’horreur, dont Strangers, The Unborn et My Soul to Take.

« Ce film a pour objectif de briser la frontière entre le phénomène des réseaux sociaux de forme courte et le contenu à forme longue », a déclaré M. Kavanaugh. « Bryce est l’un des influenceurs les plus reconnus et polarisants avec plus de 50 millions de followers et sera certainement une star “hybride”. Le film plonge profondément dans la psyché humaine et la soif de célébrité de la nouvelle génération, demandant jusqu’où ils iraient. Il sera sanglant, il sera mystérieux et on en parlera certainement. »

Daniel Herther, qui supervise la production et le développement créatif chez Proxima, collaborera en tant que producteur exécutif. Avant de rejoindre Proxima, M. Herther a produit le thriller Inconceivable avec Nic Cage et occupé des postes de direction chez Relativity Media et WB’s Gang Hollywood (300).

Ce sera la première fois que les fans pourront réellement investir dans un long métrage et participer aux bénéfices du film via ESX.

Bryce Hall est représenté par Brad Baskin de Panther Management, et Ryan Kavanaugh et Proxima sont représentés par Neil Sacker.

À propos de Proxima et Ryan Kavanaugh

Fondateur de Proxima Media, co-fondateur de Triller, Ryan Kavanaugh est l’un des cadres les plus accomplis, prolifiques et honorés de l’histoire du secteur du divertissement. À l’aide d’un modèle financier intelligent de la finance cinématographique, il a été qualifié de créateur du « Moneyball pour les films ». Il a produit, distribué et/ou structuré le financement de plus de 200 films, générant plus de 20 milliards de dollars de revenus au box-office mondial et remportant 60 nominations aux Oscars. Il est le 25e producteur de films le plus riche de tous les temps. Ses productions comprennent Fast and Furious 3-6, 300, Social Network, Limitless, Fighter, Talladega Nights, Step Brothers, et Mamma Mia! M. Kavanaugh et Proxima ont été les pionniers d’un accord de financement innovant pour Marvel après la faillite, créant le studio et la structure financière qui ont conduit à Marvel Cinematic Universe. Il a élaboré la catégorie SVOD (streaming) avec Netflix, ce qui a fait passer la capitalisation boursière de cette société de 2 à 10 milliards de dollars. M. Kavanaugh est le cofondateur de Triller, l’une des trois applications de réseaux sociaux à la croissance la plus rapide. Il a récemment dirigé l’acquisition, la fusion et la relance de l’application de réseaux sociaux et de musique.

Il a également créé la puissante société de télévision, désormais connue sous le nom de Critical Content, produisant des émissions à succès telles que Catfish sur MTV et Limitless sur CBS, qu’il a vendues pour 200 millions de dollars. La société possédait 40 séries télévisées sur 19 réseaux avant sa vente. M. Kavanaugh a remporté de nombreux succès et récompenses, du Variety’s Producer of the Year Award au Hollywood Reporter’s Leadership Award, en passant par les 40 personnes les plus influentes du classement Fortune au classement Fortune 400, le producteur de milliards de dollars par le Daily Variety et les 100 personnes les plus influentes au monde par Vanity Fair.

À propos de la bourse de divertissement (« ESX »)

Entertainment Stock X (ESX), une plateforme unique en son genre permettant aux utilisateurs et aux fans d’investir dans des projets de cinéma et de divertissement via le Job Act, est une plateforme innovante pour le financement du divertissement. La société répond au besoin de financement nouveau et plus efficace pour les cinéastes. ESX permet aux cinéastes de générer une précieuse relation de marketing direct avec les fans et permettra à ces derniers d’investir dans le cinéma pour la première fois. De plus amples informations sont disponibles sur ESX.io

Les photos accompagnant cette annonce sont disponibles sur
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Contact auprès des médias

Michelle Vieyra
Jive PR + Digital
202-415-7714
michelle@jiveprdigital.com

Stefan Bondy: Sad Celtics fans can’t get over Kyrie Irving and their silly leprechaun

Published by
New York Daily News

NEW YORK — If there’s something to unite basketball in New York City it’s stomping on the stupid leprechaun. It was a great troll maneuver by Kyrie Irving because it fed into the irrational anger and pride the Boston fans feel about their beloved Celtics. That franchise, by the way, has captured just one championship in the last 36 years, or just a single Larry O’Brien trophy during the entire existence of Nintendo. But nobody rests on their laurels quite like the Celtics. You can’t tell their fans that Kevin Garnett, Paul Pierce and Rajon Rondo managed just one title, not as they prepare for … Continue reading “Stefan Bondy: Sad Celtics fans can’t get over Kyrie Irving and their silly leprechaun”

Chinese Astronauts Land After 6 Months on Space Station

Three Chinese astronauts returned to Earth on Saturday after six months aboard their country’s newest orbital station in the longest crewed mission to date for China’s ambitious space program.

The Shenzhou 13 space capsule landed in the Gobi desert in the northern region of Inner Mongolia, shown live on state TV.

During the mission, astronaut Wang Yaping carried out the first spacewalk by a Chinese woman. Wang and crewmates Zhai Zhigang and Ye Guangfu beamed back physics lessons for high school students.

China launched its first astronaut into space in 2003 and landed robot rovers on the moon in 2013 and on Mars last year. Officials have discussed a possible crewed mission to the moon.

On Saturday, state TV showed images from inside the capsule as it traveled at 200 meters per second over Africa before entering the atmosphere.

The trio were the second crew aboard Tiangong, or Heavenly Palace. Its core module, Tianhe, was launched in April 2021. Plans call for completing construction this year by adding two more modules.

Authorities have yet to announce a date for launching the next Tiangong crew.

China is excluded from the International Space Station due to U.S. unease that its space program is run by the ruling Communist Party’s military wing, the People’s Liberation Army.

China was the third nation to launch an astronaut into space on its own after the former Soviet Union and the United States.

Tiangong is China’s third space station following predecessors launched in 2011 and 2016.

The government announced in 2020 that China’s first reusable spacecraft had landed following a test flight but no photos or details of the vehicle have been released.

On Tuesday, President Xi Jinping visited the launch site in Wenchang on the southern island of Hainan from which the Tianhe module was fired into orbit.

“Persist in pursuing the frontiers of world aerospace development and the major strategic needs of national aerospace,” Xi told staff at the site, all of them in military uniform.

Source: Voice of America

Report: Majority of Black Americans Say Race Shapes Identity

A majority of Black Americans say being Black is central to how they think about themselves and shape their identities, even as many have diverse experiences and come from various backgrounds, according to a new report by Pew Research Center. About three-quarters of Black people said so despite where they come from, their economic status or educational backgrounds.

Overall, 14% say being Black is only somewhat important to their identity and 9% say it has little to no impact, highlighting the diversity of thought among Black Americans, which include U.S.-born Black people and Black immigrants, and different ethnicities, political party affiliations and ages.

Pew Research Center released its report on Black identity on Thursday, and the results pinpoint the critical role race plays in shaping identity in the U.S.

“What our data suggests to me is that being Black is important to all Black people, according to our findings, regardless of the intersections of their identity,” said Kiana Cox, research associate and co-author of the report. A “majority of Black people, 76%, said that being Black was really important to them.”

Cox, who has worked with Pew Research Center in Washington, D.C., for about four years, said they wanted to make sure they had a large enough sample to “get this kind of nuance within racial and ethnic groups, but also to understand sort of life and society as Black people understand it.”

Shelly Eversley, a professor at The City University of New York, said the 76% of survey respondents who consider their Blackness important to their identity was still less than she would expect it to be because “race informs every asset of Black life.”

“Understanding the way race informs daily life is protection for a lot of Black people,” said Eversley, who has taught about race for 20 years and is interim chair for the Department of Black and Latinx Studies. She was not a participant in the report.

She said being Black is something you are aware of at a young age. Black children are often disciplined harder at school and other places, and their parents tend to have conversations with them about the dangers of racism when they are still young, she added.

The report also points to how the importance that people place on being Black fosters a sense of connectedness among communities, Cox said.

People who say that being Black is an important part of their personal identity were more likely to express a sense of connection with Black people in their local communities, in the U.S. and around the world than those who said Blackness is relatively less important.

There are 47 million Black people in the U.S., about 14% of the population, according to the 2020 census. Most Black adults in the U.S. where born in the country, but an increasing portion of the population is comprised of immigrants, about 12%. Of the Black immigrant population, 90% were born in the Caribbean or Africa.

Cox also said she was shocked to learn that place — or where people grew up and were living — played a large role in identity and how people shaped their values and what they viewed as important issues.

Black Americans cited violence and crime, along with economic issues such as poverty and homelessness as the most important issues to address in their communities, according to the report. The most important local issues named across subgroups of Black Americans does vary but often violence and crime, economic issues and housing issues rank among the top three.

Overall, 17% of Black Americans said the most important issue is violence or crime — a category that includes drug activity, theft and vandalism, among other offenses. Eleven percent cited economic issues as the most important, 7% cited housing and 6% cited COVID-19 and public health. Nearly half of Black adults said local leaders are most responsible for addressing these important issues.

A separate poll conducted in March by The Associated Press-NORC Center for Public Affairs Research revealed an overwhelming majority of adults say more progress is needed in achieving equal treatment for Black people in dealings with police and the criminal justice system. That’s two years after protests against the police killing of George Floyd in Minneapolis sparked a racial reckoning across the country.

When asking about community issues, the survey used an open-ended question, so “the answer of what Black Americans think is important is a little more multilayered than just violence or crime,” Cox said, noting that there is so much more that goes into that category than police violence.

The report also showed that about half of Black people who say being Black is crucial to personal identity feel very or extremely informed about the history of Black people in the U.S. Of that group, about half say they learned that history from family and friends. A large majority, regardless of how Blackness shapes their personal identities, say they have spoken to their families about their own history.

“The clarity in which family as a source of history for both U.S. Black history, like the kind of history we expect to learn in school, and ancestral history, what we learn about our family histories, was very interesting. It came through so strongly,” Cox said. “What that is telling us, is it confirms what scholars and historians have told us about the strength of family for Black Americans, especially in terms of greater knowledge.”

The survey of 6,513 U.S. adults, including 3,912 Black Americans, was conducted Oct. 4-17, 2021. It uses a sample drawn from Pew Research Center’s American Trends Panel and Ipsos KnowledgePanel, which are designed to be representative of the U.S. population. The margin of sampling error for Black respondents is plus or minus 2.8 percentage points.

Source: Voice of America